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1 Kodachrome film
English-Russian big polytechnic dictionary > Kodachrome film
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2 Kodachrome film
Полиграфия: фотоплёнка "Кодахром" (для цветного фотографирования) -
3 kodachrome film
Полиграфия: фотоплёнка "Кодахром" (для цветного фотографирования) -
4 Kodachrome film
фирм.фотоплёнка "Кодахром" (для цветного фотографирования)Англо-русский словарь по полиграфии и издательскому делу > Kodachrome film
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5 kodachrome film
"кодахром" -
6 film
Англо-русский словарь по полиграфии и издательскому делу > film
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7 film
1. слой; плёнкаfilm stock — неиспользованная плёнка; новая катушка плёнки
2. фотографическая плёнка, фотоплёнка3. фотоформаair bubble film — упаковочная плёнка с «запаянными» пузырьками воздуха, пузырьковая упаковочная плёнка
blue sensitive film — фотоплёнка, чувствительная к синим лучам
bright light film — фотоплёнка, обрабатываемая при дневном свете
cast film — плёнка, формируемая поливом из раствора
4. цветная маскирующая плёнка5. электрофотографический слой6. электрофотографическая плёнкаextruded film — плёнка, полученная экструзией
7. фотоплёнка с окончательной вёрсткой фотонабора8. готовая фотоформаFujilith film — «Фуджилит»
9. красочная плёнка10. слой печатной краскиink impervious film — слой, не воспринимающий краску
Kodachrome film — фотоплёнка «Кодахром»
Kodalith film — плёнка «Кодалит»
Kodalith Autoscreen film — растрированная фотоплёнка «Кодалит Аутоскрин»
line film — фотоплёнка для съёмки штриховых оригиналов, фотоплёнка типа «лайн»
lith film — фотоплёнка типа «лит»
Low Contrast Pan film — малоконтрастная панхроматическая фотоплёнка для изготовления цветоделённых негативов
11. плёнка для изготовления масок12. фотоплёнка для цветоделительного маскирования13. плёнка для получения микрокопий14. плёнка с микрокопиямиMultimask film — плёнка «Мультимаск»
nonsilver film — фотоплёнка на бессеребряных слоях, бессеребряная фотоплёнка
Ortho A film — фотоплёнка «Орто A»
Ortho D film — фотоплёнка «Орто D»
Ortho M film — фотоплёнка «Орто M»
Ortho S film — фотоплёнка «Орто S»
Pan Litho film — «Пан Лито»
Pan Masking film — «Пан Маскинг»
photographic film — фотографическая плёнка, фотоплёнка
photo stencil film — плёнка для изготовления фотошаблонов; плёнка для изготовления форм трафаретной печати
15. копировальная плёнка16. плёнка с копиями17. гибкая печатная форма18. плёночная фотоформаprocess film — фототехническая плёнка, репродукционная фотоплёнка; негативная плёнка для фоторепродукционных работ
rapid access film — фотоплёнка быстрого проявления, рапид-плёнка
reeled film — плёнка, смотанная в рулон, рулонная плёнка
resist film — резистивная плёнка ; плёнка фоторезиста
roomlight film — фотоплёнка, обрабатываемая в светлом помещении
sensitive film — светочувствительная плёнка, светочувствительный слой
spark-sensitive film — плёнка, чувствительная к искрению
19. фотоплёнка со съёмным слоем20. монтажная плёнкаtoned film — плёнка, проявляемая тонером
wash-off film — плёнка, обрабатываемая вымыванием
working film — микрофильм, постоянно используемый в различных видах работ
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8 film slide
lantern slide — диапозитив, слайд
Kodachrome slide — диапозитив «Кодахром»
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9 Kodachrome slide
lantern slide — диапозитив, слайд
English-Russian big polytechnic dictionary > Kodachrome slide
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10 roll film
роликовая фотоплёнка, рольфильмphotographic film — фотографическая плёнка, фотоплёнка
Kodachrome film — фотоплёнка «Кодахром»
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11 nuclear-emulsion film
Kodachrome film — фотоплёнка «Кодахром»
roll film — роликовая фотоплёнка, рольфильм
English-Russian dictionary on nuclear energy > nuclear-emulsion film
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12 Godowsky, Leopold Jr
SUBJECT AREA: Photography, film and optics[br]b. 27 May 1900 Chicago, Illinois, USA d. 1983[br]American musician and photographic experimenter whose researches, with those of his colleague Mannes, led to the introduction of the first commercial tripack colour film, Kodachrome.[br]Both from distinguished musical families, Godowsky and Leopold Damrosch Mannes met at Riverdale School in New York in 1916, and shared an interest in photography. They began experiments in methods of additive colour photography, gaining a patent for a three-colour projector. Godowsky went to the University of California to study chemistry, physics and mathematics, while working as a professional violinist; Mannes, a pianist, went to Harvard to study music and physics. They kept in touch, and after graduating they joined up in New York, working as musicians and experimenting in colour photography in their spare time.Initially working in kitchens and bathrooms, they succeeded in creating a two-layer colour photographic plate, with emulsions separately sensitized to parts of the spectrum, and patented the process. This achievement was all the greater since they were unable to make the emulsions themselves and had to resort to buying commercial photographic plates so that they could scrape off the emulsions, remelt them and coat their experimental materials. In 1922 their work came to the attention of C.E.K. Mees, the leading photographic scientist and Director of the Eastman Kodak Research Laboratory in Rochester, New York. Mees arranged for plates to be coated to their specifications. With a grant from Kuhn, Loeb \& Co. they were able to rent laboratory space. Learning of Rudolf Fischer's early work on dye couplers, they worked to develop a new process incorporating them. Mees saw that their work, however promising, would not develop in an amateur laboratory, and in 1930 he invited them to join the Kodak Research Laboratory, where they arrived on 15 June 1931. Their new colleagues worked on ways of coating multi-layer film, while Mannes and Godowsky worked out a method of separately processing the individual layers in the exposed film. The result was Kodachrome film, the first of the modern integral tripack films, launched on 15 April 1935.They remained with Eastman Kodak until December 1939; their work contributed to the later appearance of Ektachrome colour-reversal film and the Kodacolor and Eastman Color negative-positive colour processes. Mannes became the Director of his father's Music Academy in New York, remaining as such until his death in 1964. Godowsky returned to Westport, Connecticut, and continued to study mathematics at Columbia University. He carried out photographic research un his private laboratory up until the time of his death in 1983.[br]Further ReadingC.E.K.Mees, 1961, From Dry Plates to Ektachrome Film, New York.BC -
13 фотоплёнка Кодахром
Polygraphy: Kodachrome (для многокрасочной печати), Kodachrome film (для цветного фотографирования)Универсальный русско-английский словарь > фотоплёнка Кодахром
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14 делать фотоснимок
•He makes photographs, collects rock samples...
•The photographs were taken through a glass.
•This picture was made on Kodachrome film.
Русско-английский научно-технический словарь переводчика > делать фотоснимок
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15 делать фотоснимок
•He makes photographs, collects rock samples...
•The photographs were taken through a glass.
•This picture was made on Kodachrome film.
* * *Делать фотоснимок-- The dye probe was removed before the picture was taken.Русско-английский научно-технический словарь переводчика > делать фотоснимок
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16 Hillyer, Lambert
1889-1969Enormemente fecundo, este especialista del western (rodo un centenar, entre mudos y sonoros) no desdeno acercarse a otros generos. El resultado es un centenar y medio sobrado de peliculas, en las que no faltan detalles de buen hacer, aunque el ex ceso sumerge el todo en la atonia. Se hizo director con Thomas Ince y logro algun western mudo de buen nivel, como The Narrow Trail (1917), con Wil liam S. Hart, para quien siempre fue su director favorito, co mo protagonista. Trabajo basicamente para Colum bia y Monogram, y hay quien afirma que si Hil lyer hu biera dispuesto de presupuestos holgados, su nombre se incluiria hoy entre los grandes del western.Beau Bandit. 1930. 68 minutos. Blanco y Negro. RKO. Rod LaRocque, Doris Kenyon.The Deadline (Reo ante la ley). 1931. 65 minutos. Blanco y Negro. Columbia. Buck Jones, Loretta Sayers.One Man Law (Fraude legal). 1932. 63 minutos. Blanco y Negro. Columbia. Buck Jones, Shirley Grey.The Fighting Fool. 1932. 58 minutos. Blanco y Negro. Columbia. Tim McCoy, Marceline Day.South of the Rio Grande (El terror de la sierra). 1932. 61 minutos. Blanco y Negro. Columbia. Buck Jones, Mona Maris.Hello Trouble. 1932. 67 minutos. Blanco y Negro. Columbia. Buck Jones, Lina Basquette.White Eagle (El aguila blanca). 1932. 67 minutos. Blanco y Negro. Columbia. Buck Jones, Barbara Weeks.Forbidden Trail. 1932. 71 minutos. Blanco y Negro. Columbia. Buck Jones, Barbara Weeks.The California Trail. 1933. 67 minutos. Blanco y Negro. Columbia. Buck Jones, Helen Mack.Unknown Valley. 1933. 69 minutos. Blanco y Negro. Columbia. Buck Jones, Cecilia Parker.The Fighting Code. 1933. 65 minutos. Blanco y Negro. Columbia. Buck Jones, Diane Sinclair.Sundown Rider (El jinete del ocaso). 1933. 65 minutos. Blanco y Negro. Columbia. Buck Jones, Barbara Weeks.The Man Trailer. 1934. 59 minutos. Blanco y Negro. Columbia. Buck Jones, Cecilia Parker.The Durango Kid. 1940. 60 minutos. Blanco y Negro. Columbia. Charles Starrett, Luana Walters, Bob Nolan.Beyond the Sacramento. 1940. 58 minutos. Blanco y Negro. Columbia. Bill Elliott, Dub Taylor, Evelyn Kayes.The Wildcat of Tucson. 1940. 59 minutos. Blanco y Negro. Columbia. Bill Elliott, Evelyn Young, Dub Taylor.The Pinto Kid. 1941. 61 minutos. Blanco y Negro. Columbia. Charles Starrett, Bob Nolan, Louise Currie.North from the Lone Star. 1941. 58 minutos. Blanco y Negro. Columbia. Bill Elliott, Dorothy Fay, Dub Taylor.The Return of Daniel Boone. 1941. 61 minutos. Blanco y Negro. Columbia. Bill Elliott, Betty Miles, Dub Taylor.Hands Across the Rockies. 1941. 58 minutos. Blanco y Negro. Columbia. Bill Elliott, Mary Daily, Dub Taylor.The Medico of Painted Springs. 1941. 58 minutos. Blanco y Negro. Columbia. Charles Starrett, Terry Walker.The Son of Davy Crockett. 1941. 59 minutos. Blanco y Negro. Columbia. Bill Elliott, Iris Meredith, Dub Tayor.Thunder Over the Prairie. 1941. 61 minutos. Blanco y Negro. Columbia. Charles Starrett, Eileen O’Hearn, Cliff Edwards.King of Dodge City. 1941. 63 minutos. Blanco y Negro. Columbia. Bill Elliott, Tex Ritter, Judith Linden, Dub Taylor.Prairie Stranger. 1941. 68 minutos. Blanco y Negro. Columbia. Charles Starrett, Patti McCarty.Roaring Frontiers. 1941. 60 minutos. Blanco y Negro. Columbia. Bill Elliott, Tex Ritter, Ruth Ford, Frank Mitchell.The Royal Mounted Patrol. 1941. 59 minutos. Blanco y Negro. Columbia. Charles Starrett, Wanda McKay, Russell Hayden.North of the Rockies. 1942. 60 minutos. Blanco y Negro. Columbia. Bill Elliott, Tex Ritter, Shirley Patterson,Frank Mitchell.Devil’s Trail. 1942. 61 minutos. Blanco y Negro. Columbia. Bill Elliott, Tex Ritter, Eileen O’Hearn, Frank Mitchell.Prairie Gunsmoke. 1942. 56 minutos. Blanco y Negro. Columbia. Bill Elliott, Tex Ritter, Virginia Carroll, Frank Mitchell.Vengeance of the West. 1942. 60 minutos. Blanco y Negro. Columbia. Bill Elliott, Tex Ritter, Adele Mara, Frank Mitchell.Fighting Frontier. 1943. 57 minutos. Blanco y Negro. RKO. Tim Holt, Ann Summers, Cliff Edwards.The Stranger from Pecos. 1943. 55 minutos. Blanco y Negro. Monogram. Johnny Mack Brown, Raymond Hatton, Christine McIntyre.Six Gun Gospel. 1943. 59 minutos. Blanco y Negro. Monogram. Johnny Mack Brown, Raymond Hatton, Inna Gest.The Texas Kid. 1943. 59 minutos. Blanco y Negro. Monogram. Johnny Mack Brown, Raymond Hatton, Shirley Patterson.Partners of the Trail. 1944. 57 minutos. Blanco y Negro. Monogram. Johnny Mack Brown, Raymond Hatton, Christine McIntyre.Law Men. 1944. 58 minutos. Blanco y Negro. Monogram. Johnny Mack Brown, Raymond Hatton, Jan Wiley.Range Law. 1944. 57 minutos. Blanco y Negro. Monogram. Johnny Mack Brown, Raymond Hatton, Ellen Hall.West of the Rio Grande. 1944. 57 minutos. Blanco y Negro. Monogram. Johnny Mack Brown, Raymond Hatton, Christine McIntyre.Outlaw Brand. 1944. 56 minutos. Blanco y negro. Monogram. Johnny Mack Brown, Raymond Hatton, Nan Holliday.Ghost Guns. 1944. 60 minutos. Blanco y Negro. Monogram. Johnny Mack Brown, Raymond Hatton, Evelyn Finley.Stranger from Santa Fe. 1945. 57 minutos. Blanco y Negro. Monogram. Johnny Mack Brown, Raymond Hatton, Beatrice Gray.Beyond the Pecos. 1945. 58 minutos. Blanco y Negro. Universal. Robert Cameron, Eddie Dew, Fuzzy Knight, Jennifer Holt.Flame of the West. 1945. 70 minutos. Blanco y Negro. Monogram. Johnny Mack Brown, Raymond Hatton, Joan Woodbury.South of the Rio Grande. 1945. 62 minutos. Blanco y Negro. Monogram. Duncan Renaldo, Martin Galarraga, Armida, Lillian Molieri.The Lost Trail. 1945. 53 minutos. Blanco y Negro. Monogram. Johnny Mack Brown, Raymond Hatton, Jennifer Holt.Frontier Feud. 1945. 54 minutos. Blanco y Negro. Monogram. Johnny Mack Brown, Raymond Hatton, Christine McIntyre.Border Bandits. 1946. 58 minutos. Blanco y Negro. Monogram. Johnny Mack Brown, Raymond Hatton, Rosa del Rosario.Under Arizona Skies. 1946. 59 minutos. Blanco y Negro. Monogram. Johnny Mack Brown, Raymond Hatton, Reno Browne.The Gentleman from Texas. 1946. 55 min. Blanco y Negro. Monogram. Johnny Mack Brown, Raymond Hatton, Claudia Drake, Reno Browne, Christine McIntyre.Trigger Fingers. 1946. 56 minutos. Blanco y Negro. Monogram. Johnny Mack Brown, Raymond Hatton, Jennifer Holt.Shadows on the Range. 1946. 58 minutos. Blanco y Negro. Monogram. Johnny Mack Brown, Raymond Hatton, Jan Bryant.Silver Range. 1946. 53 minutos. Blanco y Negro. Monogram. Johnny Mack Brown, Raymond Hatton, Jan Bryant.Raiders of the South. 1947. 55 minutos. Blanco y Negro. Monogram. Johnny Mack Brown, Raymond Hatton, Evelyn Brent, Reno Browne.Valley of Fear. 1947. 54 minutos. Blanco y Negro. Monogram. Johnny Mack Brown, Raymond Hatton, Christine McIntyre.Trailing Danger. 1947. 58 minutos. Blanco y Negro. Monogram. Johnny Mack Brown, Raymond Hatton, Peggy Wynne.Land of the Lawless. 1947. 54 minutos. Blanco y Negro. Monogram. Johnny Mack Brown, Raymond Hatton, Christine McIntyre, June Harrison.The Law Comes to Gunsight. 1947. 56 minutos. Blanco y Negro. Mono gram. Johnny Mack Brown, Raymond Hatton, Reno Browne.Flashing Guns. 1947. 59 minutos. Blanco y Negro. Monogram. Johnny Mack Brown, Raymond Hatton, Jan Bryant.Prairie Express. 1947. 55 minutos. Blanco y Negro. Monogram. Johnny Mack Brown, Raymond Hatton, Virginia Belmont.Gun Talk. 1947. 57 minutos. Blanco y Negro. Monogram. Johnny Mack Brown, Raymond Hatton, Christine McIntyre, Geneva Gray.Song of the Drifter. 1948. 53 minutos. Blanco y Negro. Monogram. Jimmy Wakely, Dub Taylor, Mildred Coles.Overland Trails. 1948. 58 minutos. Blanco y Negro. Monogram. Johnny Mack Brown, Raymond Hatton, Virginia Belmont.Oklahoma Blues. 1948. 56 minutos. Blanco y Negro. Monogram. Jimmy Wakely, Dub Taylor, Virginia Belmont.Crossed Trails. 1948. 53 minutos. Blanco y Negro. Monogram. Johnny Mack Brown, Raymond Hatton, Lynne Carver.Sundown Riders. 1948. 65 minutos. Color (Kodachrome). Film Enter prises. Russell Wade, Jay Kirby, Andy Clyde, Evelyn Finley.Frontier Agent. 1948. 56 minutos. Blanco y Negro. Monogram. Johnny Mack Brown, Reno Browne, Raymond Hatton.Range Renegades. 1948. 54 minutos. Blanco y Negro. Monogram. Jimmy Wakely, Dub Taylor, Jennifer Holt.The Fighting Ranger. 1948. 57 minutos. Blanco y Negro. Monogram. Johnny Mack Brown, Raymond Hatton, Christine Larson.Partners of the Sunset. 1948. 53 minutos. Blanco y Negro. Monogram. Jimmy Wakely, Dub Taylor, Christine Larsen.The Sheriff of Medicine Bow. 1948. 55 minutos. Blanco y Negro. Mono gram. Johnny Mack Brown, Raymond Hatton, Max Terhune, Evelyn Finley.Outlawd Brand. 1948. 58 minutos. Blanco y Negro. Monogram. Jimmy Wakely, Dub Taylor, Kay Morley.Gun Runner. 1949. 54 minutos. Blanco y Negro. Monogram. Jimmy Wakely, Dub Taylor, Noel Neill.Gun Law Justice. 1949. 55 minutos. Blanco y Negro. Monogram. Jimmy Wakely, Dub Taylor, Jane Adams.Trail’s End. 1949. 57 minutos. Blanco y Negro. Monogram. Johnny Mack Brown, Max Terhune, Kay Morley.Haunted Trails. 1949. 58 minutos. Blanco y Negro. Monogram. Whip Wilson, Andy Clyde, Reno Browne.Riders of the Dusk. 1949. 57 minutos. Blanco y Negro. Monogram. Whip Wilson, Andy Clyde, Reno Browne.Range Land. 1949. 56 minutos. Blanco y Negro. Monogram. Whip Wilson, Andy Clyde, Reno Browne.English-Spanish dictionary of western films > Hillyer, Lambert
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17 Mees, Charles Edward Kenneth
SUBJECT AREA: Photography, film and optics[br]b. 1882 Wellingborough, Englandd. 1960 USA[br]Anglo-American photographic scientist and Director of Research at the Kodak Research Laboratory.[br]The son of a Wesleyan minister, Mees was interested in chemistry from an early age and studied at St Dunstan's College in Catford, where he met Samuel E.Sheppard, with whom he went on to University College London in 1900. They worked together on a thesis for BSc degrees in 1903, developing the work begun by Hurter and Driffield on photographic sensitometry. This and other research papers were published in 1907 in the book Investigations on the Theory of the Photographic Process, which became a standard reference work. After obtaining a doctorate in 1906, Mees joined the firm of Wratten \& Wainwright (see F.C.L.Wratten), manufacturers of dry plates in Croydon; he started work on 1 April 1906, first tackling the problem of manufacturing colour-sensitive emulsions and enabling the company to market the first fully panchromatic plates from the end of that year.During the next few years Mees ran the commercial operation of the company as Managing Director and carried out research into new products, including filters for use with the new emulsions. In January 1912 he was visited by George Eastman, the American photographic manufacturer, who asked him to go to Rochester, New York, and set up a photographic research laboratory in the Kodak factory there. Wratten was prepared to release Mees on condition that Eastman bought the company; thus, Wratten and Wainwright became part of Kodak Ltd, and Mees left for America. He supervised the construction of a building in the heart of Kodak Park, and the building was fully equipped not only as a research laboratory, but also with facilities for coating and packing sensitized materials. It also had the most comprehensive library of photographic books in the world. Work at the laboratory started at the beginning of 1913, with a staff of twenty recruited from America and England, including Mees's collaborator of earlier years, Sheppard. Under Mees's direction there flowed from the Kodak research Laboratory a constant stream of discoveries, many of them leading to new products. Among these were the 16 mm amateur film-making system launched in 1923; the first amateur colour-movie system, Kodacolor, in 1928; and 8 mm home movies, in 1932. His support for the young experimenters Mannes and Godowsky, who were working on colour photography, led to their joining the Research Laboratory and to the introduction of the first multi-layer colour film, Kodachrome, in 1935. Eastman had agreed from the beginning that as much of the laboratory's work as possible should be published, and Mees himself wrote prolifically, publishing over 200 articles and ten books. While he made significant contributions to the understanding of the photographic process, particularly through his early research, it is his creation and organization of the Kodak Research Laboratory that is his lasting memorial. His interests were many and varied, including Egyptology, astronomy, marine biology and history. He was a Fellow of the Royal Society.[br]Principal Honours and DistinctionsFRS.Bibliography1961, From Dry Plates to Ektachrome Film, New York (partly autobiographical).BCBiographical history of technology > Mees, Charles Edward Kenneth
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18 slide
1) салазки; каретка2) слайд, (цветной) диапозитив3) кассета (пластиночного фотоаппарата)4) подвижная стенка верстатки- pi slideАнгло-русский словарь по полиграфии и издательскому делу > slide
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19 lantern slide
Kodachrome slide — диапозитив «Кодахром»
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20 projecting slide
lantern slide — диапозитив, слайд
Kodachrome slide — диапозитив «Кодахром»
English-Russian big polytechnic dictionary > projecting slide
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См. также в других словарях:
Kodachrome film фирм. — Фотоплёнка «Кодахром» (для цветного фотографирования) … Краткий толковый словарь по полиграфии
Kodachrome (disambiguation) — Kodachrome is a brand of color transparency film sold by Kodak.Kodachrome may also refer to the following things named after the film: * Kodachrome , a song by Paul Simon from his 1973 album There Goes Rhymin Simon *Kodachrome Basin State Park in … Wikipedia
Film speed — is the measure of a photographic film s sensitivity to light, determined by sensitometry and measured on various numerical scales, the most recent being the ISO system. A closely related ISO system is used to measure the sensitivity of digital… … Wikipedia
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Film inversible couleur — Film inversible Cet article fait partie de la série Photographie … Wikipédia en Français
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Kodachrome — Infobox Photographic film name = Kodachrome maker = Eastman Kodak type = s speed = 6/9°, 25/15°, 40/17°, 64/19°, 200/24° format = 16mm, 8mm, 35mm process = K 14 process start = 1935 stop = 2002 (ISO 25), 2005 (ISO 40 in 8 mm), 2007 (ISO 200),… … Wikipedia
Kodak Kodachrome — Kodachrome 64 Diafilme Scan eines Kodachrome 200 Dias von 1988; hohe Schärfe be … Deutsch Wikipedia
Kodachrome — Scan eines Kalendermotivs, dessen Druckvorlage von einem Kodachrome 200 Dia stammt Kodak Kodachrome ist ein von 1916–1930 produzierter Zweifarbenfilm, ein von 1935 bis heute produzierter Umkehr bzw. Diafilm, ein eingetragener Markenname der Firma … Deutsch Wikipedia
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